6 short films make it to 2022 QCinema film fest | Inquirer Entertainment
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6 short films make it to 2022 QCinema film fest

/ 12:20 AM May 23, 2022
Austin Tan, director of “Ngatta Naddaki y Nuang?” (Why did the Carabao cross the Carayan?)

Austin Tan, director of “Ngatta Naddaki y Nuang?” (Why did the Carabao cross the Carayan?)

This year’s winning short films examine cinema and interrogate space created, recreated and destroyed through it,” said filmmaker Ed Lejano as he described the lineup of the 10th edition of QCinema International Film Festival that will run in November.

Six shorts were chosen from close to 160 entries after a difficult screening process. Each filmmaker received a grant of P350,000, added Lejano, who is also festival director.

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“A refreshingly diverse program of themes and styles are in store for all viewers in QCinema’s 10th year,” Lejano said in a statement sent to Inquirer Entertainment. “Its roster covers a range of concerns—from a reflexive attempt to save a silent film reel, an introspective search for meaning by an online sex worker, contrasting issues of migration both set in Cagayan Valley, to a psychological journey in a Quezon forest, and to a surreal one set amidst the backdrop of a decaying Pasig river.”

JT Trinidad, director of “Sa ilog na hindi nagtatapos”

JT Trinidad, director of “Sa ilog na hindi nagtatapos”

The participating films are the following: Jaime Morados’ “Ang Pagliligtas sa Dalagang Bukid” (Saving the Country Maiden), Whammy Alcazaren’s “Bold Eagle,” Glenn Barit’s “Luzonensis mula 7 hanggang 9,” Rocky de Guzman Morilla’s “Mga Tigre ng Infanta,” Austin Tan’s “Ngatta Naddaki y Nuang?” (Why did the Carabao cross the Carayan?) and JT Trinidad’s “sa ilog na hindi nagtatapos.”

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Fresh restart

“For this year’s QCShorts program, the collective vision of this exciting breed of filmmakers can perhaps help usher in a reinvigorating fresh restart for the local festival scene,” Lejano pointed out. “For this exciting breed of filmmakers, their personal testaments form a collective vision that forges on to a crossroad for cinema that seeks resuscitation through fresh initiatives.”

Jaime Morados, director of “Ang Pagliligtas sa Dalagang Bukid” (Saving the Country Maiden)

Jaime Morados, director of “Ang Pagliligtas sa Dalagang Bukid” (Saving the Country Maiden)

“Ang Pagliligtas sa Dalagang Bukid” is set in 1921. Sixteen-year-old Joaquin attempts to save the film reel of the first movie he has ever seen in the midst of a studio fire. It is Morados’ first QCinema entry.

“Bold Eagle” is the story of Bold, an anonymous online-sex worker who seeks validation from his cat as he wonders if he can amount to something more than just a pretty face. Alcazaren had his first QCinema spotlight in the film “Death of Nintendo” by Raya Martin, which had an in-person screening in 2020. His production thesis and first feature, “Colossal,” was awarded best cinematography at the Gawad Urian 2013.

Familiar name

In “Luzonensis mula 7 hanggang 9,” a “neanderthal” man named Luzonensis is about to leave for work abroad. He discovers that his passport is missing hours before departing. Together with his father, they retrace their path back to find it.

Barit, a director, sound designer and scorer from Cagayan, is a familiar name in QCinema. His debut film, “Cleaners,” won the Audience Choice, best picture, and best screenplay at QCinema’s 2019 Asian Next Wave Competition.

Rocky de Guzman Morillo, director of “Mga Tigre ng Infanta”

Rocky de Guzman Morillo, director of “Mga Tigre ng Infanta”

“Mga Tigre ng Infanta” follows Katrina’s wild hunt deep into the psyche of her grandmother, whose corpse has gone missing. The film is set in the colorful town of Infanta where superstition is said to be alive in community life.

Marikina-based filmmaker Morilla is particularly interested in narratives involving women and the environment. She co-founded Pothos Collective, which focuses on creating emancipative narratives that push boundaries.

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“Ngatta Naddaki y Nuang?” tracks Oyo’s return to his hometown in Cagayan in search of a carabao, before he finally migrates to another country, while memories of a flood and sights of industrialization fill him.

Whammy Alcazaren, director of “Bold Eagle”

Whammy Alcazaren, director of “Bold Eagle”

Tan is another filmmaker from Cagayan. His short films mostly tackle political and social topics through concepts dealing with memory and death. Aside from “Ngatta Naddaki y Nuang?,” he is also working on his first feature project, which received project development support from Locarno Open Doors, Full Circle Lab, Film Development Council of the Philippines, and EAVE Ties that Bind.

Selection committee

Lastly, “sa ilog na hindi nagtatapos” is the story of four individuals which unfolds through Baby, a middle-aged transwoman. She becomes a vessel to fill in their void as her own desire grows in the capital of fleeting relationships. The film is set in the surrounding areas of the decaying Pasig River, where an expressway is being constructed.

Trinidad’s hybrid short, “as if nothing happened,” competed at the BAFTA-qualifying London Short Film Festival 2020.

Members of QCinema IFF’s selection committee are Lejano, actress Kristine Kintana (QCinema monitoring head), writer and director Pam Miras, producer Armi Cacanindin, film critic Jason Tan Liwag, and director and editor Carlo Manatad. INQ

Glenn Barit, director of “Luzonensis mula 7 hanggang 9”

Glenn Barit, director of “Luzonensis mula 7 hanggang 9”

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