Saturday, November 17, 2018
Close  
  • share this

MMFF execom members resign; failure of film fest to continue reforms cited

/ 12:36 PM July 02, 2017

After the announcement of four official entries to the 2017 Metro Manila Film Festival (MMFF), three executive committee members were reported to have resigned.

Director Erik Matti announced in a Facebook post that film scholar and critic Rolando Tolentino, esteemed writer Ricky Lee, and investigative journalist Kara Magsanoc-Alikpala resigned from their posts on the same day that four entries to this year’s MMFF was announced.

ADVERTISEMENT

The entries are “Ang Panday” starring Coco Martin, “Almost Is Not Enough” with Jericho Rosales and Jennylyn Mercado, “The Revengers” featuring Vice Ganda and Daniel Padilla, and “Love Traps #Family Goals” starring Vic Sotto and Dawn Zulueta.

FEATURED STORIES

According to MMFF’s announcement, the selections were based on script submissions that were evaluated on the following criteria: 40 percent artistic excellence, 40 percent commercial appeal, 10 percent promotion of Filipino cultural and historical values, and 10 percent global appeal.

Since then, Lee and Tolentino have spoken up on their decision to leave the ExeCom.

Lee states that he chose to join the committee to continue the “reforms” that the 2016 festival started. However, he now sees no reason to stay since recent events make it unclear if these changes will still be implemented.

Last June 30, rules committee chairperson Rolando Tolentino announced his resignation:

While a post on Twitter cites that he cannot reveal much because of a confidentiality clause, he says, “There is love like 2017 MMFF script choices: Some old habits are hard to break.”

He adds that MMFF script selections are proof of the divide between commercial interest and quality, and that commercial interests ultimately reign.

They are also proof that there was no interest to remove distinctions between mainstream and independent films, and that indie films were the ones that suffered.

He cites that the movie choices were based on those implementing the rules, rather than the rules themselves:

Babyruth Villarama-Gutierrez, director of MMFF 2016 Best Picture “Sunday Beauty Queen”, lauded the three for taking a stand:

Some online reactions to the MMFF selection have been negative, touting the entries as a step backwards for the film industry, after the 2016 MMFF featured independent films over the usual commercial offerings.

MMFF, Metro Manila Film Festival, #MMFF2017

Image: Screen grab via Facebook/@mmffofficial

Despite the critical success of the 2016 films, the total gross of the 2016 festival was pegged at P400 million compared to 2015’s P1.3 billion earnings from mainstream movies.

The MMFF has yet to select four more entries which will be based on finished film submissions. The deadline is October 30 for regular submissions, and chosen entries will be announced on November 17, 2017.

The festival is also accepting submissions for the Short Film category until September 1, 2017. Selected short films will be announced on September 29, 2017. JB

RELATED STORIES:

Is MMFF 2016 a flop or a hit?

What did you think of the 2016 MMFF?

MMFF success cited as ‘new era’ in PH cinema

Read Next
Follow @NGunoINQ on Twitter
Don't miss out on the latest news and information.
View comments

Subscribe to INQUIRER PLUS to get access to The Philippine Daily Inquirer & other 70+ titles, share up to 5 gadgets, listen to the news, download as early as 4am & share articles on social media. Call 896 6000.

TAGS: Kara Magsanoc-Alikpala, MMFF, MMFF 2017, Ricky Lee, Rolando Tolentino
For feedback, complaints, or inquiries, contact us.
opinion

Poisoned chalice?

November 18, 2018 05:12 AM

opinion

Lola’s beautiful America

November 18, 2018 05:10 AM

lifestyle

Everybody loves’Busted!’s’ Park Min-Young

November 18, 2018 04:24 AM

lifestyle

The 2019 giving journal wants you to live generously

November 18, 2018 04:18 AM

lifestyle

Win a complete set of ‘Harry Potter’ books!

November 18, 2018 04:14 AM



© Copyright 1997-2018 INQUIRER.net | All Rights Reserved

We use cookies to ensure you get the best experience on our website. By continuing, you are agreeing to our use of cookies. To find out more, please click this link.