Fil-Am manages director of potential hit franchise
DYLAN O’Brien and Kaya Scodelario in “The Maze Runner”
LOS ANGELES—Wes Ball, whose “The Maze Runner” is earning good buzz and is expected to be a hit when it’s shown in the United States starting Sept. 19, has a Filipino-American manager, Peter Cayetano McHugh. The nephew of the late Sen. Rene Cayetano is also producing Disney’s “Ghostopolis,” with Hugh Jackman attached to star; and Universal’s “Prosthesis” with Arvind Palep as director.
Peter’s mom, Alice, is the sister of the late Sen. Rene. Ren and Lino, Senators Pia and Alan Peter are the Hollywood exec’s first cousins.
As manager and producer at The Gotham Group, Peter represents celebrated actors, writers, directors and artists in film and television, including Steven Yeun (“The Walking Dead”), Thor Freudenthal (“Percy Jackson: Sea of Monsters”), Peter Cornwell (Stephen King’s “Mercy”), Matt Hastings (“Eureka”), Chase Palmer (Stephen King’s “It”), Vincenzo Natali (“Hannibal”) and David Bruckner (“V/H/S”).
The former Creative Artists Agency trainee served as co-executive producer on Aardman/CBS’ Emmy-nominated and Annie-winning series, “Creature Comforts.” Featured in The Hollywood Reporter’s Next Generation issue, Peter is a founding member of the Junior Hollywood Radio & Television Society. He is a cum laude graduate of Dartmouth College and former assistant director of admissions for that school.
PETER Cayetano McHugh, a top Hollywood manager, is Filipino-American. ———-
Solid debut
We recently interviewed Wes, who talked about how he came to be managed by Peter. The young filmmaker makes his solid feature directing debut with “The Maze Runner,” the first book in James Dashner’s hit trilogy of novels, about a boy whose memory is erased and must try to escape from a maze in which he and other teenagers find themselves trapped.
Wes’ VFX (visual effects) background serves him well in creating a spectacular world of gigantic maze walls and creatures; at the same time he keeps the film emotionally resonant, eliciting good performances from the perfect cast he assembled: Dylan O’Brien (this will be the “Teen Wolf” actor’s breakout role), Kaya Scodelario, Thomas Brodie-Sangster (“Game of Thrones”), Will Poulter (“The Chronicles of Narnia” star, all grown up), Patricia Clarkson, Ki Hong Lee, Amil Ameen, Blake Cooper, Dexter Darden and Chris Sheffield.
“Peter and I were talking one day,” recalled Wes, whose “Ruin,” a seven-minute CGI animated film on a post-apocalyptic world, went viral in 2012. “It just seemed like a good fit. Finally, we are going to join forces and see what we can do together. I felt that he was a real friend who supported me even before anything happened. He’s been a good ally. It’s cool.”
Only the beginning
For his part, Peter said, “I had always been a fan of Wes’ since he won a Student Academy Award for his short film, ‘A Work in Progress.’ At that time, a close friend was managing him, so there wasn’t a chance I’d work with him in that capacity. Years later, when an opportunity to represent him emerged, we talked. I was fascinated with the work he was doing through his boutique animation and VFX house, Oddball Animation.
“I was even more excited by the [prospect] of what I knew he could bring to the big screen. His taste, instincts, vision stirred up all the reasons that I’m in this business. We started working together and, well, from ‘Ruin’ to ‘Maze Runner’—it is only the beginning!”
Peter narrated exactly how Wes landed the challenging gig of directing “The Maze Runner”:
“When Wes launched his original short film ‘Ruin,’ it got incredible attention online and in Hollywood. Many producers, financiers and studios were interested. It was a wild ride, but Fox stepped in preemptively and did a deal for Wes to co-write (with TS Nowlin) and direct the theatrical version of ‘Ruin.’
“THE MAZE Runner” director Wes Ball. RUBEN V. NEPALES
“In getting to know Wes through that process, the studio got a great sense of him as a filmmaker. They shared ‘The Maze Runner’ novel with him, and he was hooked. When a film starts to get into Wes’ creative DNA, there’s no stopping him. He drafted an image from the film that only increased the studio’s excitement for him.
Compelling insights
“His insights into the characters and story were compelling. The more he discussed what the film could be and the more he showed them through artwork and pre-visualization, the more engaged they became with his vision, and the more they believed he would make an amazing film, which he did!”
Working with a reported total budget of $30 million, a miniscule sum by Hollywood standards, Wes managed to make “The Maze” look like a $100-million-plus epic. His simple explanation: “Fortunately, my background was in VFX. It was a matter of squeezing out as much money into the screen as possible. Nothing was wasted. It was about very efficiently choosing the shots that gave the [wildest] effect.”
He stressed, “We can’t forget that it’s about the character and story, so we would show those big, wide shots and then we would come in tight and just deal with our characters and emotions. That was our trick for giving it a big scale but it feels very much that the movie lives a little bit beyond the frame. Your imagination fills in the rest. That’s how we cheated on the cost thing.”
Obviously pleased
Fox is obviously pleased with Wes’ achievement in “The Maze Runner.” Even before the movie is released, Wes is already preparing to direct “The Scorch Trials,” the second book in James’ series. “We are about nine weeks out from shooting,” he announced. “We are in New Mexico right now. We’ve got a crew and stages. We are rapidly approaching our shoot time. The sets are being built. A lot of the same crew is coming back. Most of the cast is coming back, except for the ones who were killed [in the first film]. The script is really coming along.”
A bit more mature
Wes added, “We have a lot more resources, a bit more freedom. We’ll continue to tell the story and pick up where the last one left off. What’s really fun about it is that we keep exploring these characters that you fall in love with in the first one. We just go into them in a deeper way. We get to be a little bit more mature and sophisticated in the movie itself. It’s also bigger in terms of scope and scale. But it’s also a much deeper film. So we are all really excited, pushing forward. The movie will be out in about a year.”
(E-mail the columnist at [email protected]. Follow him at https://twitter.com/nepalesruben)
