Korean content’s global popularity reaches new heights–survey
SEOUL — Korean cultural contents, led by the rise of K-pop and K-dramas, continued to gain global popularity in the past year, a survey showed on Monday.
An annual report jointly released by the Korean Foundation for International Cultural Exchange and the Ministry of Culture, Sports and Tourism, revealed consumption of Korean cultural contents rose in all categories — beauty, drama, fashion, entertainment show, game, animation, publication — in 2021.
Some 61.1 percent of all respondents who said they enjoyed Korean content said they consumed more Korean dramas, movies, entertainment TV shows and games in the last year compared to the previous year. In the 2020 report, some 58.5 percent said they consumed more Korean content over the previous year.
The respondents said online platforms were the main media through which they consumed K-drama, K-pop and other TV shows. However, Netflix dominated the streaming of movies.
“Online consumption of contents has become more common, which served as a major factor leading to global consumption of Korean contents, but this is a result that cannot be achieved without the competitiveness of the content itself,” Choi Kyung-hee, the head of the research team at the Korean Foundation for International Cultural Exchange, said.
Article continues after this advertisementThe latest report also provides an insight into how Korean cultural content has been perceived over the last several years. When asked what comes to mind when thinking about Korea, most respondents said K-pop topped their list.
Article continues after this advertisementAmong the many K-pop artists, BTS, which has been the most popular music group in the past five years, continued to prove undefeatable. Some 26.7 percent of the respondents said BTS is their favorite, while 10.4 percent picked Blackpink.
The most enjoyed drama was Netflix original “Squid Game,” backed by 21.2 percent of the 4,850 Korean drama fans, followed by “Crash Landing on You” with 2.2 percent.
Along with the rallying of Hallyu, anti-hallyu sentiment also rose by 6.3 percentage points from the previous year to reach 30.7 percent. One of the main reasons for the negative sentiment, the respondents said, is the “excessive commercialization” of Korean cultural content. The respondents also cited the need to protect their country’s cultural products against Korean cultural content as a reason for anti-hallyu sentiment.
This year’s report surveyed 8,500 people in 18 countries — China, Japan, Taiwan, Thailand, Malaysia, Indonesia, India, Vietnam, Australia, the US, Brazil, Argentina, France, the UK, Russia, Turkey, the United Arab Emirates and South Africa between Nov. 5 and Dec. 8 last year. The annual report began in 2012.
RELATED STORIES
Netflix expanding investment in S. Korean content
2021 K-Drama webinar aims to promote K-Drama scriptwriting and marketing techniques
K-content industry sets another export record in 2020 at $11.92 billion
Korean drama soundtracks booming as major medium of ‘Hallyu’