Screen queens gear up for their ‘vanishing acts’
Nora Aunor
Tinseltown’s acting icons remain at the top of their game by choosing projects that don’t just make them emerge smelling like roses at the box office, but also show off their dramatic chops, to keep their followers’ interest high. For their latest projects, top female superstars, Vilma Santos and Nora Aunor, are backed up by directors whose filmmaking acumen can guarantee that their projects aren’t the usual stuff and fluff.
For the Star for All Seasons, risk-taking is key to her sustained popularity. Vilma told us she didn’t want to be seen in hackneyed variations of the same themes and stories—which explains why she decided to do Chito Roño’s chiller, “The Healing,” as a follow-up to Olivia Lamasan’s 2009 dramedy blockbuster, “In My Life.” Moreover, it’s been almost 40 years since Vilma last dabbled in the horror genre via “Kamay na Gumagapang” and “Anak ng Aswang”—when she was only 19 years old!
We’re also looking forward to Nora Aunor’s comeback movie, “Thy Womb”—which wrapped up its Tawi-Tawi and Cebu shoots last week—because Cannes-winning director, Brillante Mendoza, is helming it. Last seen on the big screen in the US-shot 2006 indies, “Ingrata” and “Care Home,” the Superstar portrays a Badjao midwife in the film that also stars Bembol Roco and Lovi Poe.
Campy turn
American screen queens are also gearing up for their thespic “vanishing acts”: After Julia Roberts’ campy turn as Snow White’s power-grabbing, evil-queen nemesis in Tarsem Singh’s “Mirror, Mirror,” it’s Angelina Jolie’s turn to make life a living hell for another fairy-tale princess.
Vilma Santos
In Robert Stromberg’s “Maleficent,” Brad Pitt’s better half is cast as the proud and vengeful sorceress who takes offense at not being invited to the christening of Princess Aurora aka Sleeping Beauty (Elle Fanning), the only daughter of King Stefan (Jude Law). If Jolie portrays Maleficent the way she played Evelyn Salt, whoever’s portraying Aurora’s knight in shining armor has his work cut out for him!
For her part, Roberts is relying on the jump from stage to screen of Tracy Letts’ Pulitzer-winning dark comedy, “August: Osage County,” and Larry Kramer’s Tony-winning autobiographical HIV/AIDS drama, “The Normal Heart,” to boost her acting cachet.
In Ryan Murphy’s (“Glee”) screen adaptation of the 1980s-set “The Normal Heart,” Julia plays wheelchair-bound Dr. Emma Brookner, who helps gay activist, Ned Weeks (Mark Ruffalo), raise awareness about the deadly (then unidentified) viral disease that was killing gay men.
Level of difficulty
The level of difficulty gets higher for Julia in “August,” where she portrays Barbara Fordham, the 46-year-old eldest daughter of Beverly and Violet Weston who’s forced to come home when her alcoholic father goes missing. She hasn’t visited her parents in years, because she doesn’t get along well with her shrewd, prescription drug-addicted mother.
The film’s emotionally charged scenes present exciting dramatic possibilities for cinema’s Pretty Woman, not the least of which is the fact that her combative mother is played by—Meryl Streep!
And, Catherine Zeta-Jones revisits her musical-theater roots via Adam Shankman’s big-screen version of the stage musical, “Rock of Ages,” where she will perform Pat Benatar’s “Hit Me With Your Best Shot.”
The anticipated movie musical has a bigger come-on, however: Tom Cruise’s latest (and very bold) attempt at reinvention. In its motion-picture soundtrack, Cruise will be rendering Guns N’ Roses’ “Paradise City” and Def Leppard’s “Pour Some Sugar On Me”—not the easiest tunes to sing, that’s for sure. If that isn’t gutsy, we don’t know what is!
