Lena Dunham called out by Syrian author after being chosen to write refugee film | Inquirer Entertainment

Lena Dunham called out by Syrian author after being chosen to write refugee film

/ 01:00 PM November 01, 2018

Image: Instagram/@lenadunham

Lena Dunham was recently criticized by Syrian-American author Alia Malek on social media after the former was chosen to write the script of “A Hope More Powerful Than The Sea” — a feature film adaptation by Steven Spielberg and J.J. Abrams.

The nonfiction biography was published by United Nations spokesperson Melissa Fleming back in 2017 and tells the story of Syrian teenager Doaa Al-Zamel’s journey, fleeing her war-torn home of Syria to northern Europe.


Malek took to Twitter on Oct. 29 where she aired out her grievances over Spielberg’s and Abrams’ decision to have Dunham, a white woman, write the film’s script. Malek had a lot to say about the issue, sharing that “tone deaf, self-congratulatory” Hollywood just seemed unable to learn from its past mistakes.

“I appreciate @lenadunham @jjabrams Spielberg using their high profile to highlight #Syria stories. But why not enable Syrian storytellers?” Malek wrote, saying that there are so many Syrian writers and directors who were more intimately acquainted with the story than Dunham.


She added that should there be no Syrian writers and directors found, “There are also Iraqi Lebanese Palestinian Egyptian and Arab American artists who are more intimately acquainted with these stories. Some of them are already in Hollywood.”

Malek could not help but relate the issue to Barry Jenkin’s Academy Award-winning “Moonlight” — a coming of age film that centers around the main character’s youth, adolescence and adult life, putting to light the struggles that come with being black and the discrimination he had to face as a gay man. It is the first film with an all-black cast and also the first LGBTQ film to win an Academy Award for Best Picture.


“We understand this in the context of black folks,” Malek continued to say. “By now, Hollywood (& publishing houses) see the value of having people from a specific community/race/gender/experience shape the narratives about them. The pay off is in depth, authenticity and intimacy.”

She added, “There’s a reason @BarryJenkins Moonlight is so incredibly profound.”

Malek also wrote that despite the best of intentions, sometimes the best intention is to “step aside” and “hand the microphone over to the very people who’ve been excluded from telling their own stories.”


Malek, too, called out the United Nations High Chair for Refugees (UNHCR) which, although being an important institution, has supposedly based its entire existence “on the misery of refugees.”

“Keep in mind that plenty of Syrians are out there telling their own stories w/o the intermediary of UNHCR & who can do it in many languages themselves. Dear Hollywood (and other gatekeepers), let’s hear from them.”

Dunham, from her end, responded to Syrian-Cuban author Suzanne Samin on Twitter last Oct.29, saying that she is open to engaging in dialogue after Samin asked her if she has ever donated to Syrian refugee relief efforts.

“Hey @lenadunham just out of curiosity, have you donated to any Syrian refugee organizations or relief efforts?” Samin asked. “Just curious if you’ve at least done that before you profit off my people’s pain!”

Dunham wrote back, “If you’d ever like to discuss the project, I like to receive perspectives and engage in dialogue.”

As of this writing, Dunham has yet to respond to Malek. JB


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TAGS: Alia Malek, cultural repesentation, Lena Dunham, syrian refugees, UNHCR, white supremacy
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