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Real-life sweethearts win Philpop 2013

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QUEST (kneeling), Thyro Alfaro, Karylle, Yumi Lacsamana (in blue) and Sam Concepcion

The final roster of this year’s Philippine Popular Music Festival (Philpop) songwriting competition featured an interesting mix of 12 songs that encompassed different genres and styles—like jazz, pop-rock, reggae, folk, acoustic, ballads, and even novelty. It was a welcome treat for discerning music fans in constant search of something fresh and innovative.

But sometimes, all it takes to please the ears and get the listeners going is an honest-to-goodness pop song. “Dati”—composed by songwriting duo and real-life sweethearts, Thyro Alfaro and Yumi Lacsamana—is just that. With unmistakably late-1990s beats and melodies, the song bested 11 other entries during Philpop’s finals night on Saturday at Meralco Theater in Pasig City.

“I’m overwhelmed,” Yumi told Inquirer. “I can’t explain the feeling. Thyro and I didn’t really think about winning. We treated this competition as a venue to meet songwriters and artists with whom we could exchange ideas. We just wanted to enjoy the whole experience.”

Young love

JOHNOY Danao and Ney Dimaculangan

A song about young love, “Dati” is a throwback to a time when everything was simple: Former childhood sweethearts reminisce about the things they used to do. With lyrics peppered with references to old cartoon series and love teams like “Julio at Julia” and Marvin and Jolina, most 1990s kids are bound to relate.

“The song is youthful and infectious … Thyro and I grew up in the 1990s, so the song is very dear to us,” Yumi said. “We are primarily soul-R&B artists, but we’d rather not box ourselves in. We can do ballads, rap, novelty, as well as pop, like this one (‘Dati’).”

It wasn’t the couple’s first time on the Philpop stage. Last year, Thyro’s entry “Himig ng Panahon”—sung by Yumi, Duncan Ramos, Luke Mejares and Loonie—was one of the finalists, but failed to make it to the Top 3. Thyro and Yumi released an album in 2011, “Thyro and Yumi.”

 

Second attempt

SAM CONCEPCION and Tippy Dos Santos interpret winning song. ARNOLD ALMACEN

“It took me two tries, and I’m very proud to have finally won. I guess it’s just our time,” Thyro told Inquirer. “I’m glad our entry was appreciated.”

Thyro said he and Yumi initially wanted to perform their entry. But after listening to Tippy Dos Santos, Sam Concepcion and Quest’s recorded version, and watching them perform on stage, Thyro said he couldn’t be happier. In any case, he and his partner got the chance to sing their winning piece onstage in an emotional encore after they were hailed champions.

“This will probably be one of our last hurrahs [as a duo]. Thyro and I are planning to pursue separate careers,” Yumi said. “And, of course, we are willing to write songs for other artists.”

Thyro and Yumi came away richer by P1 million.

Johnoy Danao’s gentle Filipino love song, “Kung ’Di Man” (sung by Ney Dimaculangan) was declared first runner-up, and won for its composer P500,000. It also won the Smart Voters’ Choice award, for an additional P100,000.

JOSE Manalo and Wally Bayola (center)

For his jazz-flavored “Pansamantagal,” interpreted by Sitti and Julianne Tarroja, veteran composer Jungee Marcelo bagged P250,000 as second runner-up.

Paul Armesin’s pop-rock anthem “Segundo,” won the Meralco special award and P100,000.

Other finalists
Rounding out the Top 12 songs and their composers and interpreters were: Ganny Brown’s “Askal” (performed by Jose Manalo and Wally Bayola), Adrienne Sarmiento and Nino Regalado’s “Sometimes that Happens”  (Ace Libre of Never the Strangers), Marlon Barnuevo’s “Araw, Ulap, Langit”  (Christian Bautista), Lara Maigue’s “Sa ’Yo Na Lang Ako”  (Karylle), Myrus Apacible’s “Sana Pinatay Mo Na Lang Ako”  (Kimpoy Feliciano), Kennard Faraon’s “Time Machine” (Six Part Invention) and Raffy Calicdan’s “Space” (Kean Cipriano of Callalily and Ang Banda ni Kleggy).

THE COMPANY, Ogie Alcasid and Charice

Folk-rock artist Joey Ayala performed his own composition titled “Papel,” together with Gloc-9, Silver Surfer and Denise Barbacena.

A few days prior to Saturday’s results night, Philpop gathered various artists and industry experts for a prejudging session that determined 60 percent of the 12 finalists’ total scores. The remaining 40 percent was given by an 11-man panel on finals night. This panel included Noel Cabangon, Regine Velasquez, Ebe Dancel, Gerard Salonga and new TV5 president Noel Lorenzana.

Hosted by Philpop board member Ogie Alcasid and teen actress Jasmine Curtis-Smith, the show also featured performances by guest artists Charice, Martin Nievera, Raimund Marasigan, The Opera, The CompanY and The Ryan Cayabyab Singers.


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  • basilionisisa

    Congratulations to the winners! Keep Philippine Music alive! MABUHAY!

  • thenewpulahan

    I’ve followed this competition and I have seen how some of the original songs mutated from really good ones into despicable pieces of crap. From what I know they had a panel that gave suggestions to the composers on how to make the song. Problem with these kind of panels is that most of them are jurassics of the industry. Some of the end products of the competition were songs that tried achingly to be pop but not. Even the song that won sounded very late 90s early 00s r n b. That ain’t pop anymore. This, i say with conviction,..that song will never be truly popular like “Just give me a reason” or ” Pusong Bato” .

    Case 1 – Papel of Joey Ayala: the song in its acoustic based arrangement really came off well. It would have been nicer if they added more percussions and local tribal instrument flourishings plus some electronica bleeps and loops. The idea to make it sound electronica is nice but the way it was produced came off as forced. It was just a disgrace that they chose a poor man’s dub step arrangement for the song. I pity Joey Ayala. Who’s idea was it to throw in Gloc 9s rapping? It just made matters worse. His rap meter could not cling on the dubstep loop and his voice timbre sounded jarring with Ayala’s baritone.

    Case 2 – Johnoy Danaos “Kundi Man” as described in the article is gentle and his voice would have been perfect for it. Probably the panel said this will be more popular if the former 6Cycle Mind singer performs it. Now granted that they want Ney’s popularity to carry the song, still it was a bad choice of interpreter because Ney’s singing is very forceful, his singing completely massacred the essence of the “Kundi Man”. They could have picked the smooth style of Bamboo or even Zia Quizon (for popularity purposes) . I have nothing against Ney but he really sounds like a pop singer trying to be a rocker. I believe he should be better off singing pop songs, he ‘ll do better than Christian Bautista.

    I hope competitions like this respect the composers more.
    BTW, Philpop, if you guys want to get real pop songs, get 100 radio djs from across the Philippines both from masa and niche radio stations and let them pick your top 12.



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