Regina King: Oscar win makes LA native the toast of Tinseltown

Best Supporting Actress winner for “If Beale Street Could Talk” Regina King poses in the press room with the Oscar during the 91st Annual Academy Awards at the Dolby Theater in Hollywood, California on February 24, 2019. (AFP)

HOLLYWOOD–Regina King has been an actress for more than three decades, but her recent focus on roles in dramas examining racism and black America have catapulted her to the A-list, and now, to Oscars glory.

First-time nominee King, 48, took home an Academy Award on Sunday for her emotional performance as a mother defending her daughter’s boyfriend, wrongfully accused of rape, in “If Beale Street Could Talk.”

The film by Barry Jenkins (“Moonlight”) is an adaptation of a James Baldwin novel about a young couple, Tish and Fonny, whose lives are torn apart by the accusations against Fonny.

“To be standing here, representing one of the greatest artists of our time, James Baldwin — it’s a little surreal,” King told the audience at the Dolby Theatre.

She thanked her fellow nominees — Amy Adams (“Vice”), Marina de Tavira (“Roma”), and Emma Stone and Rachel Weisz, both in “The Favourite” — calling them her “sisters in art.”

King’s performance as Tish’s mother Sharon was widely hailed, and she earned a Golden Globe for her work in January, and a Spirit Award on the eve of the Oscars.

Jenkins has said he wanted King because she could play the part of a mother who was “not a superwoman — but when she has to be, she is.”

She almost didn’t make it to the Oscars — 10 days ago, King was nearly mowed down in her courtside seat at Madison Square Garden during a Knicks game when 76ers star Joel Embiid leapt into the crowd.

Video of the incident went viral. King tweeted: “Yoooo. Thank you God and @JoelEmbiid for your athletic abilities. Crisis averted.”

Triple Emmy winner

Born and raised in Los Angeles on January 15, 1971 to a special education teacher mother and an electrician father, King attended the University of Southern California.

But her acting career began while she was still in her teens, with a role on sitcom “227,” one she would keep until the show’s run ended in 1990.

The next year, she broke onto the big screen with a role in John Singleton’s seminal 1991 coming-of-age drama set in South Central LA, “Boyz n the Hood.”

She would appear in two more films for director John Singleton, “Poetic Justice” and “Higher Learning,” before her next big break — playing Cuba Gooding Jr’s wife in the Tom Cruise mega-hit “Jerry Maguire.”

Though her big-screen career continued to thrive, with roles opposite Will Smith in “Enemy of the State” and Jamie Foxx in “Ray” as singer Margie Hendricks, King turned back to television.

The reason? So her young son Ian could have an easier upbringing.

“My reps were, like, ‘Are you sure about that?'” King told The Los Angeles Times ahead of the Oscars. “I was sure. And it ended up being a blessing in every way.”

After a recurring role on long-running spy thriller “24” as the president’s sister, King starred as a detective on well-received police drama “Southland” about the LA Police Department, which ran for five seasons.

And then, the Emmys started coming.

King won three in the space of three years. Two of them came for roles on “American Crime,” a raw anthology series exploring issues of race, discrimination and immigration.

She won the third for her portrayal of a grieving mother on Netflix mini-series “Seven Seconds” — about racial tensions in New Jersey after a black teen is critically wounded by a white cop.

King has also worked as a director, most recently on episodes of primetime favorites like “This Is Us,” “Scandal” and “The Good Doctor.”

On Golden Globes night, she made an extraordinary pledge in favor of gender equality in Hollywood.

“In the next two years… I’m making a vow — and it’s going to be tough — to make sure that everything that I produce is 50 percent women,” King said to cheers.

Her upcoming acting projects include HBO’s super-secret adaptation of “Watchmen,” a present-day reimagining of the dark 1980s cult graphic novel about retired superheroes turned masked vigilantes.