PARIS — As a gay youth growing up in central France, Hugo Bardin never felt he lived in a world that represented who he was — a world in which he had a place.
And that is why Bardin, who performs as the drag queen Paloma, felt it was meaningful and important to be part of a Paris Olympics opening ceremony that presented a multifaceted, multiethnic France with people of different ethnicities and orientations.
“It was a really important moment for the French people and the representation of France around the world,” says Paloma, who took part in a single scene that has drawn some furious criticism — including from presidential candidate Donald Trump in the United States, who called it “a disgrace.”
Although the ceremony’s artistic director, Thomas Jolly, and other participants have repeatedly said the scene wasn’t inspired by “The Last Supper,” critics interpreted that part of the show as a mockery of Leonardo Da Vinci’s painting showing Jesus Christ and his apostles.
Paloma, best known for winning “Drag Race France,” appeared with other drag artists and dancers alongside Barbara Butch, a popular DJ who wore a silver headdress that looked like a halo. Butch has now filed a complaint alleging online abuse and harassment, and Paris police have launched an investigation.
The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings. #Paris2024 #OpeningCeremony pic.twitter.com/FBlQNNUmvV
— The Olympic Games (@Olympics) July 26, 2024
Paloma is not, at this point, planning to take legal action over online harassment, and would prefer to focus on the many “loving messages” that have been pouring in. The performer been getting thousands of messages daily, she told The Associated Press, most of them positive but some that he described as “violent” and even “from the Middle Ages.”
Still, there are no misgivings, despite the backlash. Paloma said she was proud to have been part of a show that did not rely on a series of French cliches — for example, “the Parisian with a baguette under their arm.”
“It could have been a postcard from 1930,” she said of the ceremony. “But instead, it was a photograph of France in 2024.”
Many agreed and praised the ceremony for its creativity, style, and showmanship.
But French Catholic bishops and others were among those who said Christians had been offended, though Paris Olympics organizers have said there was “never an intention to show disrespect to any religious group” but rather to “celebrate community tolerance.”
Trump was asked on Fox News what he thought of the so-called “Last Supper” scene. “I’m very open-minded,” the former president and current Republican nominee told host Laura Ingraham, “but I thought what they did was a disgrace.”
Of Trump’s comments, Paloma said: “My first reaction is to say that if Donald Trump is not reacting, then we have not done our job.”
The criticism, she said, has been fueled by hate. “Where is the Catholicism, the Christianity in that? It is very hypocritical that their message is not about religion or kindness, it’s about hate towards Jews, fat people, queer people and trans people.”
“We have been accused of trying to impose our vision on the world,” Bardin said. “We are not. … We just want to let people know that we have a place in the world, and we are claiming that place.”
Paloma spoke to the AP in a phone interview and later at her Paris workshop, a studio devoted to her drag performance. Bardin debuted the drag queen persona some five years ago, the Spanish name inspired by the films of Pedro Almodóvar.
Asked if she had any regrets, Paloma replied: “My only regret is people’s reactions. I’m sorry if people are offended but we did not try to parody, to mock ‘The Last Supper.’ It was not the point. So I can’t regret what I did. I’m sorry for people to only see things in a bad way.”
She added: “Maybe change the perspective. Change the point of view. Try to see the beauty in what we did. Because it was just beauty. It was just only about beauty and reunion, and reparation.”