Emmy records, LGBTQ firsts and Omar: 5 things to watch
In this file photo taken on September 17, 2018, Emmy statues are seen before the 70th Emmy Awards at the Microsoft Theatre in Los Angeles, California. Image: AFP/Valerie Macon
The Emmys honoring the best in television return on Sunday in the United States for the first in-person ceremony since the start of the coronavirus pandemic.
In addition to the return of a (small, socially distanced) audience, there are plenty of potential records and historic firsts to look out for:
Posthumous win?
Michael K. Williams, forever remembered as Baltimore stick-up man Omar Little in seminal HBO crime drama “The Wire,” died earlier this month.
His tragic passing will not influence voting, the suspected drug overdose in New York occurred after Emmys voting had closed.
But Williams is the favorite to win the award for best supporting actor in a drama for supernatural horror series “Lovecraft Country.” He was nominated four times in the past but never won a statuette.
Many viewers will hope for a victory for Williams, which would make him part of an elite group of posthumous acting winners at the Emmys, one that includes Ingrid Bergman.
Transgender first?
FX’s “Pose,” about New York’s 1980s underground ballroom culture, has already done much to advance LGBTQ representation.
Two years ago, its star Billy Porter became the first openly gay black man to win the best drama actor prize.
On Sunday, another cast member has a chance to make history.
“Mj Rodriguez has a shot at being the first trans winner in lead actress,” Los Angeles Times journalist Michael Ordona told AFP.
“But she’s got a tough row to hoe, because I think there’s a lot of goodwill toward Emma Corrin for her portrayal of Princess Diana in ‘The Crown,'” he added.
Biggest loser?
“The Handmaid’s Tale” was the first ever streaming show to win best drama at the Emmys. Hulu’s adaptation of Margaret Atwood’s dystopian novel strongly resonated with voters back in 2017.
Since then, the Elisabeth Moss-starring series offering a bleak portrait of an authoritarian America has seen diminishing returns, in terms of both critical response and awards tallies.
Still nominated for a whopping 21 statuettes this year, it has won zero in the technical categories handed out so far, meaning it will become the “biggest loser” in a single year of Emmys history if it fails to convert at all on Sunday.
Netflix record?
Netflix needs 10 wins Sunday to tie the all-time record for most Emmys wins in a year. That’s 44, set by CBS network way back in 1974 when shows like “M*A*S*H” and “The Mary Tyler Moore Show” ruled the airwaves.
Such an impressive haul is not necessarily beyond the streamer.
Chess-themed “The Queen’s Gambit” has already bagged nine awards in fields from costumes to cinematography, and should contend for more awards Sunday including best limited series, directing and actress for Anya Taylor-Joy.
British royals drama “The Crown” is tipped for the night’s top prize, best drama, and has frontrunners across the acting categories including Emma Corrin, Josh O’Connor and Gillian Anderson as Princess Diana, Prince Charles and Margaret Thatcher, respectively.
‘Short straw’
After last year’s pandemic-mandated virtual event, the nominees are to be welcomed back in-person at the Emmys, but only a lucky few of them.
Each nomination will earn a maximum three invitations to the socially distanced 500-person outdoor venue (the ceremony typically has an audience of 4,000 to 6,000).
This has caused a scramble among those up for best drama, best comedy and best limited series, as each show usually has a large number of producers listed as nominees and eligible to attend.
“Can you imagine the defining moment in your career, you’re nominated for an Emmy, and you just drew the short straw and you can’t go to the ceremony?” said Variety awards editor Clayton Davis.
“That’s going to happen to a lot of people.” JB
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