THE ROUSING finale of Wednesday night’s “Do You Hear the People Sing?”
Speaking to an audience that had risen to its feet in a packed 1,500-seat theater, French musical-theater composer Claude-Michel Schönberg thanked the Philippines for singer Lea Salonga, “your national treasure,” who, he said helped him and lyricist/librettist Alain Boublil put together a spectacular two-night fundraiser for “Yolanda” survivors that opened Wednesday night.
“I am happy to say that, with this, all of us together have raised P24 million to build 200 houses,” Schönberg announced, prompting wild applause. The houses will be built through Habitat for Humanity Philippines.
ALAIN Boublil (left) and Claude Michel Schönberg thank the Philippines.
It was as though the well-heeled crowd that had gathered at the Newport Theater in Resorts World Manila was caught in the spell of one long, standing ovation that was hard to break at the end of the concert, “Do You Hear the People Sing?” (DYHTPS).
Salonga led the multi-layered cast of the Manila stop in the show’s Asia-Pacific tour. The show’s title was borrowed from the rousing finale of “Les Miserables,” world-renowned musical (based on Victor Hugo’s novel, acclaimed as one of the 19th century’s greatest) by the awarded Boublil-Schönberg tandem. DYHTPS features hits and highlights (as well as some numbers that have been edited out) from the duo’s best-known works, most notably “Les Mis” and “Miss Saigon.”
LEA SALONGA and David Harris in a duet that ends in a kiss
“It took us all of two and a half minutes,” Schönberg recounted, “to convince Lea and Gerard (Salonga’s brother, who conducted the ABS-CBN orchestra for the two-hour production) to do this here.”
Salonga was the most likely collaborator, of course. Schönberg and Boublil said in a joint statement printed in the program: “We [wanted] to give back to the Philippines a small share of what we owed the country that gave us Lea and several cast [members] of ‘Miss Saigon’ worldwide for the past two decades.”
RACHELLE Ann Go
Salonga originated the lead role of Kim in 1988. She went on to win the Olivier, Tony, Drama Desk, Outer Critics and Theater World awards for it.
Onstage on Wednesday, pre-finale, Schönberg stressed that the concert was “by Filipinos, for Filipinos.” He was thankful as well “for my Filipino daughter; she is 21 now.”
One other strong tie that he keeps with the country is the Sun & Moon Foundation Home for Children in Parañaque, which he founded in 1994 with some Filipino friends, and which he regularly visits.
LEO VALDEZ
Wednesday night’s fundraiser was punctuated with vigorous applause and cheering. Salonga, reprising her “Miss Saigon” showstoppers, was clearly the star. “I was 17 when I first sang these songs,” she quipped. “They just don’t grow old.” Her voice was in complete agreement with that, and so was the extremely appreciative audience.
Guest soloist David Harris, Australian singer/actor, was the proud ladies’ man, who got to kiss the girls—Salonga, Marie Zamora (another guest soloist, from Paris and New York productions), and Carla Guevara-Laforteza, Filipino “Saigon” understudy for the Kim and Gigi roles in London, 1995-1997.
Menchu Lauchengco-Yulo GIRLIE RODIS
The Manila concert showcased other local entertainers who have performed in various Schönberg-Boublil productions around the world—led by Leo Tavarro Valdez and Jon Joven.
Valdez reprised The Engineer’s signature song, “The American Dream,” from “Saigon,” and reaped raves. Later, doing the riotous “Master of the House” (from “Les Mis”), he and Menchu Lauchengco-Yulo had the audience in stitches.
MARIE Zamora
Jed Madela’s “Martin Guerre” was warmly received; Salonga and Rachelle Ann Go—who leaves in March for the “Miss Saigon” revival in London—singing “I Dreamed a Dream,” was a supreme treat.
At evening’s end, Salonga stood on center stage with Schönberg and Boublil, Harris and Zamora, Valdez and Go, and Resorts World Manila president Kingson Sian (whom Schönberg cited as a “major supporter”). Around and behind them, apart from the orchestra (and 17 volunteer musicians from other orchestra groups), Philippine stage stars led by Jon Joven, Laforteza, Michael Williams, Madela, Yulo and Cocoy Laurel, Pinky Amador, Analin Bantug, Robbie Guevara and Jake Macapagal; the Ateneo Chamber Singers, Mass Appeal, Aleron, San Miguel Chorale, International School Manila Middle School Honor Choir.
Not one of them collected talent fees. But they performed as though they had been paid the equivalent of their weight in gold, to match the glimmer of joy in their hearts.