‘Norte’ tops Cinemanila awards
Miracles do happen.
In spite of the holiday rush, the screening of Lav Diaz’s four-hour epic “Norte, Hangganan ng Kasayasayan” at the Cinemanila International Film Festival held at the SM Aura on Dec. 22 was an SRO (standing room only) affair, according to festival director Tikoy Aguiluz.
The 200-seat cinema was packed, related indie film producer Kristine Kintana, a cast member of “Norte.” It was nothing less than miraculous, Kintana wrote on Facebook.
Also on Facebook, filmmaker and Inquirer Indie Bravo! awardee Francis Xavier Pasion, who was present at the screening, hailed “Norte” as “disturbing, powerfully [acted] and masterfully directed.” He said the experience of watching it was a “blessing.”
“Norte,” which won raves from foreign critics when it premiered in Cannes last May, won a major prize at the Cinemanila awards, too.
Article continues after this advertisementIn the International Cinema section, Diaz tied with Brazil’s Kieber Mendonça Filho (“Neighboring Sound”) for best director.
Article continues after this advertisementFrontrunners in the Oscar best foreign language film derby topped this section: Paolo Sorrentino’s “The Great Beauty” (Italy) won the Lino Brocka Grand Prize; Rithy Panh’s “The Missing Picture” (Cambodia), the Grand Jury award.
The Digital Lokal section was topped by Raya Martin’s “How to Disappear Completely,” which won best film and director.
In the Young Cinema category, Theo Lozada won the Ishmael Bernal award (for “Tunga”); John Lazam’s “Pantomina ng mga Anyong Ikinubli ng Alon,” best short.