Three-way romance eschews believability for style
By Rito P. Asilo
Sarah Lahbati, Richard Gutierrez and Solenn Heussaff are as gorgeous as the cracklingly crisp images that frame Peque Gallaga’s “Seduction.” Unfortunately, luscious visuals don’t a great movie make. The noirish dramatic thriller is a patchwork of titillating scenes that eschew logic for style, leaving its audience craving for greater coherence and believability.
