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Hilda Koronel remembers Lino Brocka and shooting ‘Maynila’

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Hilda Koronel

One of the most unforgettable moments in Hilda Koronel’s career, if not in her entire life, was her “funeral” scene in Lino Brocka’s 1975 film “Maynila sa mga Kuko ng Liwanag.”

The film is in the process of being digitally restored by the Film Development Council of the Philippines (FDCP) in partnership with the World Cinema Foundation (WCF), chaired by Oscar-winning filmmaker Martin Scorsese.

Ever the stickler for realism, Brocka asked the actress to lie down in a real coffin. Was she spooked!

“As I lay there, I tried to hold my breath,” Koronel, who’s now based in the United States, told the Inquirer in an e-mail interview. “It was one of those coffins for the indigent. I was not even sure if it was new, or if it had been used before.”

She recalled that Brocka insisted on shooting in actual locations—as described in the novel by Edgardo M. Reyes. “He preferred real places, not studio sets. He would ask me to walk around Santa Cruz in Manila, and he would steal shots.” The late filmmaker had wanted to remain faithful to the story, she explained.

Love scene

WORKING on a classic. Hilda says Lino was “my mentor, my father, my friend.” PHOTO FROM www.video48.blogspot.com

Another highlight was her love scene with leading man Bembol Roco. “We shot that in a dingy motel room. I brought my own bed sheets and Lysol (disinfectant).”

In spite of challenges such as these, she looked forward to every working day with Brocka, Koronel said. “It was always exciting. I knew what he wanted from me because he knew my capacity as an actress. After all, I grew up with him. He trained me [in acting].”

Brocka, she said, was “my mentor, my father, my friend. I could always discuss my fears with him,” she related. “I could always count on him—whether it was about my personal life or my career. If he said that a film would be good for me, I would accept it without thinking.”

Huge void

She added: “He always had my back. I miss him terribly.”

She pointed out that Brocka, who passed away in 1991, left a huge void in her life in particular, and in the Philippine movie industry in general.

She said she had most admired Brocka’s intelligence and insight into people, society and social ills. “Lino loved the masses. We both came from humble beginnings. His background, I believe, shaped him and his beliefs. He was never pretentious. He had strong personal convictions and he acted on them. His principles were very evident in his films.”

LEAD stars Hilda Koronel as Ligaya Paraiso and Bembol Roco as Julio Madiaga PHOTO COURTESY OF MIKE DE LEON

Brocka’s movies, to this day, mirror the struggles of ordinary Filipinos. Koronel noted that the director’s body of work shows that, “as in all societies, our country has its good and bad sides. But we, as a people, have survived so much. Despite the odds, we sometimes came out on top. We simply must fight for what we believe in.”

Great news

Koronel said she was elated that Scorsese’s WCF, along with “Maynila’s” cinematographer-producer Mike de Leon and the FDCP, had banded together to digitally restore the movie.

She said it was “great” news and that, hopefully, it would “encourage our countrymen to preserve our cinematic treasures. I hope [Scorsese’s] foundation can also [help] provide us with the resources to protect our films.”

After these films are preserved, the actress said, audiences should be given access to them.  She is aware that Filipino classics are now being studied in schools. “I had to discuss some films in class when I went to college in Maryknoll years ago,” she said.

Koronel hopes retrospectives and festivals of Brocka’s films will be mounted all over the country as well.

“Lino’s movies are timeless,” she said. “The social issues he tackled in ‘Maynila’ remain relevant to this day. It’s important for today’s generation to be made aware of these movies … so they will see that we can make great films. These films are our legacy. These films make us proud.”

(bayanisandiegojr@gmail.com)


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  • http://profile.yahoo.com/DU5GH5NS3O7DOI54MNUPTTHVY4 B88C

    ‘Can’t wait! I am so glad to hear of this news. I consider “Maynila……” the greatest Filipino film ever made. Sorry, but I don’t like “Himala”. I find it too theatrical.

    • batangpaslit

      Bro, ang Tinimbang Ka Nguni’t Kulang, ay maganda din ah

      • akimaxx

        True, but the edge of ‘Maynila’ are the lighting technique, cinematography and the sounds of Manila during those years. Lino, as Hilda describes him loves a true ‘set’, no faking. Over all, the visual and aural realism during the ’70′s is so alive in those scenes.

      • batangpaslit

        chuckles…
        siguro bias lang ako dahil pinsan ko ang Scriptwriter sa binanggit kong film

      • akimaxx

        Do you know what is common on both films? Sirit na?
        Between Mario O’hara and Bembol Roco, both were wearing the same checkered shirt, Lino’s lucky shirt.

  • aardman

    “The social issues he tackled in ‘Maynila’ remain relevant to this day.”
    Which means there hasn’t been much progress since 1975 when Maynila was released.  That’s just sad.

    BTW it’s ‘Maynila sa Kuko ng Liwanag”.

  • http://twitter.com/janglegirl janglegirl

    Hilda Koronel is still the most beautiful and intelligent actress that ever graced Philippine cinema.

  • http://pulse.yahoo.com/_TAK477MX7KDU3CMHJ6PQM3VRAI Koneksyon

    HELLO, MISS HILDA KORONEL!!!!!! good to hear from you even from an email for this article!!!
    you are missed, Lino Brocka is missed, the good times are missed, the REAL PHILIPPINES is missed, the true PHILIPPINE CINEMA is missed…….

  • http://www.facebook.com/profile.php?id=100000532465679 Donardo Cuago

    I agree HILDA’s beauty is legendary.  Her other classic film, INSIANG also by Brocka was the very first Filipino film ever invited to Cannes film festival (Director’s Fortnight, if I’m not mistaken).  She was the toast of that year’s Cannes that her face even ended up on the cover of the prestigious LE MONDE magazine, eclipsing a well known Hollywood celebrity who was also attending the festival that same year.  The French just could not believe that such great beauty could grew up in a slum (Leveriza, Pasay).

    Years later when I got to finally watch Insiang,.. I finally understood why.  Her close up shot at the beginning of that film would literally take your breath away… 

  • batangpaslit

    maganda talaga si Hilda Coronel
    na meet ko sia sa PECO Bookstore. she came in incognito.
    i was pleasantly shocked to see her face to face
    she’s a good dramatic actress.
    gusto ko rin ang sine nia entitled, “Gaano Ba Kadalas ang Minsan”
    am floored with the witty dialogues when the scene is confrontational.

  • batangsulpok

    Si Hilda Coronel ang isa sa pinakamagandang artista noong araw, katumbas siya ni Charito Solis pati sa pagganap at wala sa kalingkingan ang mga artista ngayon na puro maaarte at sobra pa ang mga retoke.



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