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Robbie Tan set to quit Cinemalaya

It’s not because of latest festival, say colleagues

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Robbie Tan is reportedly set to resign as monitoring committee head of the annual Cinemalaya Philippine Independent Film Festival.

“I know that he had wanted to leave since last year to focus on his businesses, and not because of a recent controversy [over a disqualified film],” said Tess Rances, deputy festival director and manager of Cultural Center of the Philippines (CCP) Administrative Services.

Still a member

Festival officials have yet to receive Tan’s resignation. The Inquirer tried but failed to get a statement from him.

Rances said: “Robbie is still a member of the Cinemalaya Foundation board so we’re sure we’d still get his assistance even if he no longer heads the committee. We hope to find the right replacement.”

Work done

Added Laurice Guillen, competition chair: “Maybe Robbie already [finds] our work here exhausting. It’s like we’re producing 15 films a year.”

If Tan leaves, Guillen said, the festival would have lost “two really good people.” Festival director Nes Jardin resigned shortly after the disqualification of “MNL 143” in February.

Guillen explained: “I feel very bad [about this]. Nes is a terrific management person and Robbie understands the creative and marketing aspect of our work very well. He oversees these and a lot more single-handedly—and to think that we are not getting paid to do any of this.”

She added: “Replacing him might mean hiring two or more persons, which could be quite expensive for the festival. Fortunately, our chair [Tonyboy Cojuangco] doesn’t want to stop. He enjoys going to the CCP and seeing all these new films.”

The next festival will be run differently, Guillen said.

“I wonder why all these people who called for a boycott, who protested festival policies, are all here at the CCP right now,” she told the Inquirer.

Committed

Rances added: “All of us are committed to what we started. Like Robbie, we not be here forever, but we will still be a part of it, one way or another.”

Guillen agreed: “The people running the festival are not here indefinitely. We will get old. We will leave eventually, but Cinemalaya will carry on.”

(E-mail mcruz@inquirer.com.ph)


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Tags: cinema , Cinemalaya , Entertainment , Film , Marinel R. Cruz , Movies , Robbie Tan

  • akimaxx

    Ang dapat na namuno sa Cinemalaya ay may kaalaman sa film art. Hindi isang kritiko o producer.  kundi isang trouble shooter. I-guide ang mga filmmakers sa tamang direksyon. Minsan kapag ine-edit na ang pelikula, meron mga eksena na hindi epektibo (bothered ka). Ngayon, papaano mo so-solusyunan ito upang maging epektibo? Maraming paraan, at dito dapat makakatulong ang Cinemalaya. A bad sequence can turn to be a memorable sequence if properly worked out. A good film has a series of memorable scenes that retains on the viewer’s mind.  My basic rule is “Don’t bother the audience with your ineffective film language”

    Marami ng Filipino filmmakers ang nakilala na sa buong mundo, ituloy lang natin ito. Madaling ibenta kung maganda ang isang pelikula. Dito maaaring makatulong si Robbie, dahil linya niya ito. Ang buong mundo ay uhaw sa isang magandang pelikula. 

  • http://pulse.yahoo.com/_WJX5I5FJL52QCZDUKDNWOTIZHQ Lateralus

    sino si robbie tan na ito? hehe

    • http://jaoromero.com/ Jao Romero

      un feeling director. gusto nya palang masunod casting choices nya, di sana sya na lang gumawa ng pelikula. i-disqualify ba naman ang entry dahil hindi un gusto nyang artista ang kinuha nung direktor. mga ganyang ugali ang nagpabagsak sa Philippine Cinema. Inaayos na nga sana ng Cinemalaya tapos eto may asungot na dadalhin ang mga masamang kinagawian sa malaking industriya ng pelikula dito sa Pinas.

      always, always, always! mga ganitong ugali ang sisira sa Cinemalaya.

  • hustlergalore

    Good riddance!



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