Mexico’s Inarritu: From radio DJ to Oscar winner
Alejandro Gonzalez Inarritu attends the 87th Academy Awards – 21st Century Fox and Fox Searchlight Oscar Party at BOA Steakhouse on Sunday, Feb. 22, 2015 in West Hollywood, Calif. (Photo by Omar Vega/Invision/AP)
MEXICO CITY — Years after playing 1980s rock music as a popular radio DJ in Mexico, film-maker Alejandro Gonzalez Inarritu was back behind a microphone on Sunday: To accept the Oscar for best director.
Inarritu — the creative force behind dark comedy “Birdman — became the second Mexican in a row to win Hollywood’s top directing prize, one year after countryman Alfonso Cuaron was rewarded for space thriller “Gravity.”
“All the work of these incredible fellow filmmakers can’t be compared, can’t be labeled, can’t be defeated, because they exist and our work only will be judged, as always, by time,” Inarritu said as he accepted his award, speaking of his fellow nominees.
Inarritu and his friends Cuaron and Guillermo del Toro have been dubbed the “Three Amigos,” heading a golden generation of Mexican film-makers who have scooped up the industry’s most prestigious prizes in recent years.
“Birdman,” starring Michael Keaton as a washed up superhero movie star attempting to revive his career on Broadway, marks a break from Inarritu’s somber dramas.
While he shot to fame with his 2000 Mexican drama “Amores Perros,” and earned his first Oscar directing nomination for the Brad Pitt-starring “Babel” in 2006, the 51-year-old Inarritu came late to the movie world.
‘Frustrated musician’
A music lover, Inarritu started working for WFM radio in the 1980s while he was still a communications student at Mexico City’s Iberoamerican University.
But true to his adventurous spirit — he traveled the world as a cabin boy in a merchant vessel at the age of 19 — he took his chances, trading the microphone for a camera.
“I think that I’m a musician before I am a film-maker — a frustrated musician,” Inarritu once said, comparing his films to musical genres.
“Amores Perros,” he said, is a rock song while the crime drama “21 Grams” is jazz, “Babel” amounts to an opera and “Biutiful” is a requiem.
Inarritu left WFM in the 1990s to make television advertisements and short films for his production firm, Z Films, while learning the craft from Polish-born theater director Ludwik Margules.
It was during that time that he met screenwriter Guillermo Arriaga, with whom he made “Amores Perros” — a raw drama in which three stories collide after a car crash in Mexico’s sprawling capital.
Alejandro G. Inarritu, center, and the cast and crew of “Birdman or (The Unexpected Virtue of Ignorance)” accept the award for the best picture at the Oscars on Sunday, Feb. 22, 2015, at the Dolby Theatre in Los Angeles. (Photo by John Shearer/Invision/AP)
His debut feature earned Inarritu a big ovation at the Cannes film festival, where it won the Critics’ Week prize in 2000.
From Mexico to Hollywood
“Alejandro is a visionary, virtuoso, multi-talented, obsessive, perfectionist,” actress Vanessa Bauche, who starred alongside Gael Garcia Bernal in “Amores Perros,” told AFP.
“He follows the emotions and psyche of his characters meticulously, making him one of the best directors of actors in the world,” Bauche said.
She recalled an anecdote on the set of “Amores Perros” that highlighted the “deeply spiritual” side of Inarritu, a father of two who lost a third child shortly after birth.
Inarritu had carts full of roses brought to the set, asked the actors to gather around the flowers and exhorted them to do “everything with love and passion.”
He capped the moment by tossing petals skyward as an offering to god, she said.
On the back of the film’s success, Inarritu moved to Los Angeles, where he directed other somber dramas packed with Hollywood stars.
But a bitter break with his film partner, Arriaga, was to follow. The screenwriter felt that his role in “Babel” – which earned an Oscar and six other nominations — was underplayed, and he vowed never to work with Inarritu again.
Inarritu went on to make “Birdman,” which some critics have hailed as a masterpiece, though the director doubts it.
“The more movies I make, the less I know and understand,” he said in early February. “And the less I know, the more I like movies. And the more I like them, I don’t want to know what it means to make films.”
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